The
story of The Night Shadows begins in 1959
when Alex Janoulis
changes the band name from "The Barons" to "The Night
Shadows" and the band evolves when
Bobby Newell replaces Mike Moore on piano. Bobby "Bones" Jones
(vocals & Harmonica) is hired as the first "front man" for the
group and Hilton Dickerson joins the group as their first "road
manager." The first public appearance as "The Night Shadows" is
made on December 13, 1959 at the Maid of Athens' Annual Masquerade Ball. In 1960 – 1961
The Night Shadows became one of two alternating house bands playing shows at
the skating rink at “Misty Waters". (The other group was The Zots, a.k.a.
Mac Davis and The Zots). Although both groups' shows were primarily blues
oriented, radio station DJ's and local concert promoters started to book the
Night Shadows as the primary back-up band for solo rock & roll stars who
were touring in the area. Their ability to quickly learn the songs of the
traveling artists and arrange them in a show format (often just minutes before
curtain call) gave The Night Shadows a virtual monopoly over other local bands.
It also increased their bookings by giving them a lot of exposure in front of
large crowds. They would "warm-up" those audiences with their own show
which featured a great blues singer and harmonica player named Bobby
"Bones" Jones.
Go to:
To
order The Night Shadows recordings.
Some
of the earliest tracks by the Night Shadows, "I Love You Baby" and
"Honest I Do" on the CD titled
"Volume 1: The Rhythm & Blues Period 1959-1964" are live
performances and are the earliest known recordings of the Night Shadows with
Jones fronting the band. These primitive tracks were recorded on a tape machine
with one microphone located near a telephone booth in Misty Waters in late 1959
or early 1960. If you listen closely, you can hear a conversation outside the
phone booth and the static caused by someone stepping or tripping on the microphone
cable. In 1962 After
Jones left the group in the fall of 1961 the Night Shadows joined forces with
Ervin Barocas and Helene Kopell, a male/female duo that fronted the band as
Little Erv & Helene. It was during this period that the Night Shadows began
to release records on independent labels. The group's first release was a
risqué single titled "Garbage Man" backed with "The Hot Dog
Man" The tunes were written and sung by Janoulis to break into the
lucrative college fraternity market that was dominated by black artists
performing party songs. Their earliest commercial release was a new dance
called "The Elevator". Also joining the band on vocals during this
time was an outstanding singer named Judy Argo.
http://hotlantamusic.blogspot.com/2012/06/night-shadows.html?m=1
ReplyDeleteAround 1966, I shared a place on Monroe Drive with Alex Janoulis, a fellow engineer at Lockheed with hair down to his shoulders. (Looked a whole lot better than these Pictures.) He always said, "Walt, I'll be the last engineer they lay off, cause these guys get beat up by the wife before leaving for work then park and come in and see me and feel superior to me, thus making me too valuable to get rid of."
He was right.
I had a grand piano downstairs in the duplex (probably 1969 Monroe Dr.) and when they got off a gig late at night, Bobby Newell, (another LH engineer) would get all the dust off every key doing Ramsey Lewis "I'm in With the in Crowd", whatever anybody yelled outfall by ear. If you could hum it he could play it, although he had studied classical music and could very well read the notes.
I said, Bobby how do I tune this guitar? "Don't you hold one string here and tune the next string to it?" He said, "No, man, you just turn each knob till you're on," meaning if you had perfect pitch like he did you would recognize the right frequency when you heard it.
Damn, where did the good times go?
Till then:
"Is there life as we know it on this planet?"
==
WTF do we do now?
Great story. Thanks for sharing.
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